Pornography, ideology, and the internet : a Japanese adult video actress in mainland China
著者
書誌事項
Pornography, ideology, and the internet : a Japanese adult video actress in mainland China
Lexington Books, c2019
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book starts from the discussion of a pornography, but does not end with pornography. Rather, it suggests that a pornographic star can be treated as a cultural product which obtains rich cultural meanings. It contributes to the debate between the global homogenization paradigm and the creolization paradigm which predominates in multiple disciplines, through a thorough examination of the entire process of the cross-cultural migration of Aoi Sola, a Japanese adult video (AV) actress who has achieved amazing popularity in mainland China since 2010. Through fifteen-month participant observation inside the two Chinese agencies of Sola, this study reveals that the transformative intermediaries play a significant role in the transformation of the cultural product in the Chinese context, even though their operations are usually invisible to outsiders. The findings challenge the conventional scholarly assumption that foreign products produced by global producers are consumed "directly" by local consumers or that the significance of these intermediaries can be ignored. This study further extends the participant observation inside the realistic field to the virtual space of media in different countries, which can be called the second field. It demonstrates that multiple local groups, including intermediaries, Chinese commercial news portals, Party media, and Chinese Internet users, respond to the dominant ideologies in Chinese society by reinterpreting Sola in different, even contradictory, ways. Thus, this research refutes the presumption that a local society is a coherent monolith in the acceptance of foreign cultural products. The book also deepens the reader's understanding of Chinese Internet usage.
目次
Introduction
1. Sola in Japan: An "Ordinary" Girl and "Unordinary" Idol
2. Sola as a Weapon of Resistance for Chinese Internet Users
3. Two Chinese Agencies Repositioning Sola
4. A Case of Promotion: Negotiation between Commercial News Portals and the Two Agencies
5. Sola's Image Transformation: Becoming a Site of Contestation
6. Sola's Image Transformation and Chinese Youth's Identity
7. Sola Going Back to Japan as "the Most Famous Japanese in China"
Conclusion
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