Thomas Nozkowski

著者

書誌事項

Thomas Nozkowski

John Yau

（Contemporary painters / series editor: Barry Schwabsky）

Lund Humphries, 2017

大学図書館所蔵 件 / 全2件

この図書・雑誌をさがす

注記

Includes bibliographical references (p. 144) and index

内容説明・目次

内容説明

This book offers the first detailed account of the paintings of American artist Thomas Nozkowski (1944-2019), creator of modestly sized abstract works that swiftly convey what one writer describes as 'a remarkable sense of freedom within constraint.' As an emerging artist in the 1970s, Nozkowski's mature style developed in the wake of Minimalism, Pop Art and Colour Field painting, and during a decade which became defined by movements - such as Conceptual and Performance art - that eschewed painting. While many artists identified with the notion of 'painting's terminal condition', Nozkowski chose to express personal experience through small-scale canvases that refused to adhere to 'a signature style' or align themselves with a particular movement. Through John Yau's perceptive text, the trajectory of Nozkowski's artistic pathway is clearly presented. Offering insightful context and discussion of specific works, this book provides the definitive narrative of an artist gifted with an original vision.

目次

  • Introduction
  • Chapter One
  • Chapter Two: Pisanello's painting, The Vision of St Eustace, 1438-1442
  • Chapter Three: Landscape and Abstraction
  • Chapter Four: The 1990s
  • Chapter Five: The 21st Century
  • Select Bibliography, Chronology
  • Select Solo and Group Exhibitions
  • Public Collections
  • Acknowledgements
  • Index

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