Berthe Morisot : woman impressionist
著者
書誌事項
Berthe Morisot : woman impressionist
Rizzoli Electa , Barnes Foundation , Dallas Museum of Art , Musée national des beaux-arts du Québec, 2018
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of an exhibition held at Musée national des beaux-arts du Québec, June 21-Sept. 16, 2018; Barnes Foundation, Philadelphia, Oct. 21, 2018-Jan. 14, 2019; Dallas Museum of Art, Feb. 24-May 26, 2019; and Musee d'Orsay, Paris, June 17-Sept. 22, 2019
Includes bibliographical references (p. 235-240) and index
Other authors: Marianne Mathieu, Nicole R. Myers, Sylvie Patry, and Bill Scott
内容説明・目次
内容説明
Today Berthe Morisot (1841 1895) is considered a major Impressionist artist, a recent development despite the respect received in her lifetime from peers Edgar Degas, Edouard Manet, Claude Monet, and Pierre-Auguste Renoir. As the only female member of the Impressionist group at its founding in late 1873, Morisot played a major and multifaceted part in the movement, and her works were prized by pioneering dealers and collectors. Lush illustrations from throughout Morisot s career depict her daring experimentations and her embrace of modern subjects in the city and at the seaside: fashionable young women, and intimate, domestic interiors. Texts examine her in the context of her contemporaries, the critical reception of her work, the subjects and settings she chose, and the state of Morisot scholarship. Berthe Morisot, Woman Impressionist makes an important contribution to the field, with never-before-published letters, interdisciplinary scholarship, and a specific focus on Morisot s pioneering developments as a painter first, woman second.
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