Aunt Rachel's fur
Author(s)
Bibliographic Information
Aunt Rachel's fur
FC2, c2001
1st ed
- Other Title
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Aunt Rachel's fur : a novel
Aunt Rachel's fur : a novel improvised in sad laughter
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Note
Title on following p. of t.p. verso: Aunt Rachel's fur : a novel improvised in sad laughter
"Pubished by FC2 with support provided by Florida State University, the Unit for Contemporary Literature of the Department of English at Illinois State University, the Program for Writers of the Department of English at the University of Illinois at Chicago, the Illinois Arts Council, the Florida Arts Council of the Florida Division of Cultural Affairs, and the National Endowment for the Arts."--T.p. verso
Description and Table of Contents
Description
In Aunt Rachel's Fur, Raymond Federman - French by birth, American by adoption, Jew by memory - plays with the language of his childhood to construct a story from digressions. Federman's narrative spirals into a temporal abyss as he rummages in old memories tattooed with cabbages, plump breasts, and the Final Solution. His book swirls with the narrative innovations that mark him as a leading experimental surfictioneer. Aunt Rachel's Fur is a novel about its own telling, an intimate meeting between voice and reader, in which flesh and blood are reduced to fiction, and fiction, by its telling, becomes fact, Remond Namredef, a French expatriate, has returned to France after a disastrous decade in America, with 365 boxes of pasta and the hope of publishing his novel about a novelist. In a cafe in Paris, he meets a ""professional listener,"" and, through a series of conversations, offers a loose account of his life that shows little respect for chronology. His story is woven of fragments, branching out over a lifetime and capturing the alchemy of fiction and memory. Faced with the chaos of the twentieth century, Federman finds humanity in the absurd. Like novelists Mark Amerika and Ronald Sukenick, he skewers literary convention and pushes the boundaries of postmodernism. Aunt Rachel's Fur is both a tribute to his love of the word - the story as it is told - and a further exploration of our understanding of fiction.
by "Nielsen BookData"