The unconcept : the Freudian uncanny in late-twentieth-century theory

書誌事項

The unconcept : the Freudian uncanny in late-twentieth-century theory

Anneleen Masschelein

(SUNY series, insinuations : philosophy, psychoanalysis, literature)

SUNY Press, c2011

  • hbk.
  • hbk.

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注記

Includes bibliographical references (p. 181-216) and index

収録内容

  • Machine generated contents note: ch. 1 Introduction
  • 1.1.A Genealogy of the Uncanny
  • 1.2.Different Stages in the Conceptualization of the Uncanny
  • 1.3.The Uncanny as Unconcept
  • 1.4.A Functionalist-Discursive Perspective
  • 1.5.(Re)Constructing a Map of Conceptualizations
  • ch. 2 The Position of the Uncanny in Freud's Oeuvre
  • 2.1.Follow the Index?
  • 2.2.The Uncanny as a Symptom in Daily life and Pathology
  • 2.3.From Compulsion to Taboo: The Surmounted Phylogenetic Origin of the Uncanny
  • 2.4.The Uncanny and Theoretical Revisions
  • 2.5.The Uncanny and Anxiety
  • I
  • 2.6.The Uncanny: A Psychoanalytic Concept?
  • ch. 3 Preliminaries to Concept Formation
  • 3.1.Further Explorations of the Uncanny
  • 3.2.The Uncanny and Anxiety
  • II
  • 3.3.The Uncanny and Genre Studies
  • 3.4.The Uncanny as Aesthetic Category: Toward a Theory of the Uncanny
  • ch. 4 Tying the Knot: The Conceptualization of the Uncanny
  • 4.1.An Era of Transcontinental Conceptualizations
  • 4.2.Two Poetics: Todorov and Cixous
  • 4.3.Poetical Structuralism: Todorov's The Fantastic
  • 4.3.1.The Uncanny and the Fantastic
  • 4.3.2.The Fantastic and Psychoanalysis
  • 4.3.3.Birth and Death of the Fantastic
  • 4.3.4.Transformations of the Fantastic
  • 4.4.Chasing Freud's Chase: Cixous's "Fiction and its Phantoms"
  • 4.4.1."The Uncanny" as Missing Link
  • 4.4.2."Fiction and its Phantoms" as Quest in the Labyrinth
  • 4.4.3.Pull the Strings
  • 4.4.4.Cixous and Derrida: The Uncanny as a Theory of Fiction
  • ch. 5 The Uncanny: A Late Twentieth-Century Concept
  • 5.1.The Canonization of the Uncanny
  • 5.2.A Tradition of Rereadings of "The Uncanny"
  • 5.3.The Dissemination of the Uncanny
  • 5.3.1.The Postromantic/Aesthetic Tradition
  • 5.3.2.The Unhomely and Existential and Political Alienation
  • 5.3.3.Hauntology
  • 5.4.The Uncanny and Contemporary Culture
  • ch. 6 Concluding Remarks

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