Debussy's resonance

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書誌事項

Debussy's resonance

edited by François de Médicis and Steven Huebner

(Eastman studies in music)

University of Rochester Press, 2018

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds. The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated,and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy's Resonance offers twenty new studies by some of themost active and respected English- and French-language scholars of French music. The book treats a large swath of the composer's music, from previously unexplored melodies of his early years to late pieces such as the ballet Jeux and the Douze Etudes, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them. CONTRIBUTORS: Katherine Bergeron, Matthew Brown, David J. Code, Mark DeVoto, Michel Duchesneau, David Grayson, Denis Herlin, Jocelyn Ho, Roy Howat, Steven Huebner, Julian Johnson, Barbara L. Kelly, Richard Langham Smith, Mark McFarland, Francois de Medicis, Robert Orledge, Boyd Pomeroy. Caroline Rae, Marie Rolf, August Sheehy FRANCOIS DE MEDICIS is Professor of Music at the Universite de Montreal. STEVEN HUEBNER is Professor of Music at McGill University.

目次

Introduction - Francois de Medicis and Steven Huebner PART 1. HISTORIOGRAPHICAL AND EDITORIAL ISSUES Debussy Fifty Years Later: Has the Barrel Run Dry? - Richard Langham Smith The Oeuvres completes de Claude Debussy Thiry Years On - Roy Howat The Kunkelmann Manuscripts: New Sources for Early Melodies by Claude Debussy - Denis Herlin "Paysage sentimental": "Si doux, si triste, si dormant . . ." - David Grayson PART 2. STYLE AND GENRE The "Song Triptych": Reflections on a Debussyan Genre - David J. Code Composing after Wagner: The Music of Bruneau and Debussy, 1890-1902 - Francois de Medicis Between Massenet and Wagner - Steven Huebner Debussy's Concept of Orchestration - Robert Orledge Oriental and Iberian Resonances in Early Debussy Songs - Marie Rolf PART 3. HISTORY AND HERMENEUTICS Debussy and Japanese Prints - Michel Duchesneau "Les sons . . . tournent": Debussy, the Waltz, and Embodied Hermeneutics - August Sheehy Secrets and Lies, or the Truth About Pelleas - Katherine Bergeron Vertige!: Debussy, Mallarme, and the Edge of Language - Julian Johnson PART 4. THEORETICAL ISSUES Follow the Leader: Debussy's Contrapuntal Games - Matthew Brown Debussy's Absolute Pitch: Motivic Harmony and Choise of Keys - Mark DeVoto Debussy's G#/Ab Complex: The Adventures of a Pitch-Class from the Suite bergamasque to the Douze etudes - Boyd Pomeroy The Games of Jeux - Mark McFarland PART 5. PERFORMANCE AND RECEPTION Debussy and Late-Romantic Performing Practices: The Piano Rolls of 1912 - Jocelyn Ho Marius-Francois Gaillard's Debussy: Controversies and Pianistic Legacy - Caroline Rae Fashioning Early Debussy in Interwar France - Barbara L. Kelly List of Contributors Index

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