Rethinking difference in gender, sexuality, and popular music : theory and politics of ambiguity
著者
書誌事項
Rethinking difference in gender, sexuality, and popular music : theory and politics of ambiguity
(Routledge studies in popular music)
Routledge, 2018
- : hbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth-century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, and Media Studies.
目次
1. Introduction: from difference to ambiguity Gavin Lee 2. When the bearded lady sings: ambiguity aesthetics, queer identity, and the gendering of the presentational voice Mario Rey 3. Detournement and female punk bands of the 1970s Helen L. Reddington 4. Ambiguities of S/M and goth cultures' sex/gender identity politics Carol Siegel 5. Flower in the mirror and moon in the water: the ambiguity of gender, genre, and politics of Li Yugang Qian Wang 6. What counts as "queer" in an historical context?: cross dressing in nineteenth-century theatre Gillian M. Rodger 7. Funny girls and nowhere boys: reversing the gaze in the popular music biopic Matthew Bannister 8. "I'ma school that bitch": gay rappers defying binaries and expressing fierceness Kirsten Zemke and Jared Mackley-Crump 9. Queer desire is not gay, gender is a fantasy: ways of loving Britney Gavin Lee 10. "Blackness in a white void": dissonance and ambiguity in Isaac Julien's multi-screen film installations Ellie M. Hisama Afterword: the world only spins forward Paul Attinello
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