The art of law : artistic representations and iconography of law and justice in context, from the Middle Ages to the First World War
著者
書誌事項
The art of law : artistic representations and iconography of law and justice in context, from the Middle Ages to the First World War
(Ius gentium : comparative perspectives on law and justice, v. 66)
Springer, c2018
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
HTTP:URL=http://deposit.dnb.de/cgi-bin/dokserv?id=67793ad7853a4d509c9a4aeb8c1b560b&prov=M&dok_var=1&dok_ext=htm Assistance=X:MVB Electronic format type=text/html Information=Inhaltstext
Includes bibliographical references and indexes
内容説明・目次
内容説明
The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
目次
Chapter 1. Introduction.- Part I: Law, Justice and Art.- Chapter 2. The Bruges exhibition 'The Art of Law'.- Chapter 3. Law's Manifestations: From Signs to Images - on Early Modern Legal Iconology.- Chapter 4. Works of Art as Criminal Punishment in the Low Countries (14th-17th c.).- Chapter 5. "ut experiri et scire posset". Pictorial Evidence and Judicial Inquiry in Hans Fries' Kleiner Johannes Altar.- Part II: Moralising Law and Justice Representations in the Late Middle Ages and Early Modern Era.- Chapter 6. Changes in Late-Medieval Artistic Representations of Hell in the Last Judgment in North-Central Italy, ca. 1300-1400: A Visual Trick?.- Chapter 7. Medieval Iconography of Justice in a European Periphery: The Case of Sweden, ca. 1250-1550.- Chapter 8. Justitia, Examples and Allegories of Justice, and Courts in Flemish Tapestry, 1450-1550.- Chapter 9. The Judgment of Cambyses: Multiple Sources and Post-David Nachleben of a Rich Iconographical Topic.- Chapter 10. Multilayered Functions of Early Modern Court Room Equipment: Luneburg for Example.- Part III: Lawyers and Justices: Their Books, Their Work, Their Symbols.- Chapter 11. Civic Bodies and their Identification with Justice and Law in Early Modern Flemish Portraiture.- Chapter 12. The Paradoxes of Lady Justice's Blindfold.- Chapter 13. Lawyers and Litigants: The Corrupting Appeal and Effects of Civil Litigation in Hendrick Goltzius' Litis abusus.- Chapter 14. Framing the Law. Legal Iconology of the Grotesque in the Sixteenth Century.- Chapter 15. The Mechanical Art of Rhetoric in an Ordinary Sixteenth Century German Formulary.- Chapter 16. A Ghostly Corpse in the City? Spatial Configurations and Iconographic Representations of Capital Punishment in the 'Belgian' space (16th-20th c.).- Chapter 17. Liberte, Egalite, Fraternite ou la Mort. The Iconography of Injustice in the Work of Pierre Goetsbloets.- Part IV: Justice Architecture and Decorations in the Long 19th Century.- Chapter 18. Joseph-Jonas Dumont's Prison Gatehouses: architecture parlante in Neo-Tudor Style.- Chapter 19. Experiencing Justice in the Cour d'Assises of Brabant (1893-1913). A Place of Education and Entertainment.- Chapter 20. The Judge, the Artist and the (Legal) Historian: Theophile Smekens, Pieter Van der Ouderaa, Pieter Genard and the Antwerp cour d'assises.- Chapter 21. Images of Justice in the Colonial Courts of British India. The Judicial Iconography of the Bombay High Court.
「Nielsen BookData」 より