Multimodal stylistics of the novel : more than words
著者
書誌事項
Multimodal stylistics of the novel : more than words
(Routledge studies in multimodality, 25)
Routledge, 2019
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [328]-341) and index
内容説明・目次
内容説明
This book advocates for a new analytical framework that extends our understanding of multimodal meaning-making in the novel. Integrating theoretical traditions from stylistics and the influential social semiotic approach to multimodal communication developed by Kress and van Leeuwen, Norgaard applies this method of analysis in order to build on existing stylistic practices that look at linguistic features in the novel to encompass other semiotic resources found in the form, such as typography, layout, images, paper and book-cover design. The volume grounds the discussion with supporting examples from novels that feature experimentation with multiple semiotic resources as well as more traditional novels, furthering the argument that all novels are inherently multimodal. Offering new insights and tools for unpacking multimodal meaning-making in this critical literary genre, this volume is an indispensable resource for graduate students and researchers in multimodality, stylistics and literary studies.
目次
Figures. Permissions. Preface. 1 Introduction. 1.1 Aims and motivations. 1.2 Structure of the book. 2 Multimodal stylistics - what, why and how? 2.1 Preliminaries. 2.2 Stylistics. 2.2.1 Formalist stylistics. 2.2.2 Functionalist stylistics. 2.2.3 Historical stylistics. 2.2.4 Cognitive stylistics. 2.2.5 The cornerstones of stylistics. 2.3 Social semiotic multimodal theory. 2.3.1 Multimodality, modes and semiotic resources. 2.3.2 Discourse, design, production and distribution. 2.3.3 Further remarks on social semiotic multimodal theory. 2.4 Multimodal stylistics. 2.4.1 Motivations and challenges. 2.4.2 Multimodal stylistics today. 2.4.3 Doubly deictic subjectivity, mimesis and defamiliarisation. 2.4.4 Other approaches to multimodality and the novel. 2.5 Further methodological considerations. 2.5.1 Literary data I: multimodality and the novel. 2.5.2 Analytical focus - text, context, author, reader. 2.5.3 Literary data II: selection and representation of examples. 2.6 Concluding remarks. 3 Wording. 3.1 Preliminaries. 3.2 Experiential meaning - language as representation. 3.2.1 Experiential meaning in The sound and the fury. 3.3 Interpersonal meaning - Language as exchange. 3.3.1 Interpersonal meaning in The sound and the fury. 3.4 Textual meaning - Language as text. 3.4.1 Textual meaning in The sound and the fury. 3.5 Faulkner's text as a functional act of communication between author and reader. 3.6 Concluding remarks. 4 Typography. 4.1 Preliminaries. 4.2 A social semiotic multimodal approach to typography. 4.2.1 Typographic distinctive features. 4.2.2 Typographic semiotic principles. 4.2.3 Metafunctions and typography. 4.3 Typographic meaning in the novel. 4.3.1 Index. 4.3.2 Icon. 4.3.3 Discursive import. 4.3.4 Symbol. 5.1 Concluding remarks. 5 Layout. 5.1 Preliminaries. 5.2 Kress and van Leeuwen's systems for the analysis of layout. 5.2.1 Information structure. 5.2.2 Salience. 5.2.3 Connectivity: framing and linking. 5.3 The meaning of layout in the novel. 5.3.1 Paragraphs, sections, chapters and pages. 5.3.2 Other types of text block. 5.3.3 Letter spacing, line spacing, blank space. 5.3.4 Linking. 5.4 Concluding remarks. 6 Photographs, drawings and other graphic elements. 6.1 Preliminaries. 6.2 Kress and van Leeuwen's visual grammar. 6.3 The meaning of photographs, drawings and other graphic elements in the novel. 6.3.1 Photographs. 6.3.2 Drawings. 6.3.3 Other graphic elements. 6.4 Concluding remarks. 7 The book cover. 7.1 Preliminaries. 7.2 Graphic book cover designs - The curious incident of the dog in the night-time. 7.3 Photographic book cover designs - On the road. 7.4 Film tie-ins and bestseller emulation - discursive import and the significance of context. 7.5 Concluding remarks. 8 The materiality of the novel. 8.1 Preliminaries. 8.2 The book as a three-dimensional object. 8.3 The physical form of cover and binding. 8.4 The semiotics of paper. 8.5 Concluding remarks. 9 Conclusion. 9.1 Preliminaries. 9.2 Insights and contributions. 9.3 Further directions. Appendix A: Colour images. Appendix B: The multimodal stylistics toolkit. Index.
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