Parameters of disavowal : colonial representation in South Korean cinema
著者
書誌事項
Parameters of disavowal : colonial representation in South Korean cinema
（Global Korea, 1）
University of California Press, 2018
- : pbk
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注記
Bibliography: p. 165-171
収録内容
- Under the banner of nationalism : the changing imagery of anti-colonial leadership
- Reckoning and cooperation : film and the Waesaek ("Japanese color") controversies of the 1960s
- The Manchurian action film : a new anti-colonial imaginary in the Cold War context
- In the colonial zone of contact : Kisaeng and gangster films
- Horror and revenge : return of the repressed colonial violence
- Coda : after 2000
内容説明・目次
内容説明
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century (1910-1945) decidedly shaped the culture and identity of Korea, yet the precise manner as to how South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge-production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It also advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent.
In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema.
目次
List of Illustrations
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek ("Japanese Color") Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index
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