Migration and performance in contemporary Ireland : towards a new interculturalism
著者
書誌事項
Migration and performance in contemporary Ireland : towards a new interculturalism
(Contemporary performance interactions)
Palgrave Macmillan, c2016
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 267-287) and index
内容説明・目次
内容説明
This book investigates Ireland's translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this 'new interculturalism' for theatre and performance studies at large.
Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
目次
Introduction. Towards a New Interculturalism?.- Part I. Intercultural Production Infrastructures..- Chapter 1. Playboy of the Western World and Old/New Interculturalisms.- Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below.- Part II. Producing the Intercultural Subject.- Chapter 3. Performing Historical Duty.- Chapter 4. Labour(ed) Relations: Migrant Women and Performative Labour.- Part III. Intercultural Publics.- Chapter 5. Community Theatre as Active Citizenship.- Chapter 6. Essences of Social Change.- Conclusion. The "New Irish"? .
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