The making of Samuel Beckett's Krapp's last tape/La dernière bande
著者
書誌事項
The making of Samuel Beckett's Krapp's last tape/La dernière bande
（Beckett Digital Manuscript Project, v. 03）（Literary studies）
UPA University Press Antwerp , Bloomsbury, c2015
- : UPA
- : Bloomsbury
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注記
"NUR 632"--T.p. verso
Includes bibliographical references (p. 254-263) and index
内容説明・目次
内容説明
First performed at the Royal Court Theatre in 1958, Krapp's Last Tape has since become widely celebrated as one of Samuel Beckett's most important and powerful plays.
The Making of Samuel Beckett's 'La derniere bande'/'Krapp's Last Tape' is a comprehensive reference guide to the history of the text. The book includes:
- A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages
- A critical reconstruction of the history of the history of the text, from its genesis through the process of composition to its full publication history
- A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org
This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.
目次
Series Preface
Acknowledgements
List of Abbreviations
Note on the Transcriptions
List of Illustrations
Introduction
1. Documents
1.1 Autograph Manuscripts
1.1.1 French
1.1.2 English
1.2 Typescripts
1.2.1 French
1.2.2 English
1.3 Pre-Book Publications
1.3.1 French
1.3.2 English
1.4 Editions
1.4.1 French
1.4.2 English (US)
1.4.3 English (Paris)
1.4.4 English (UK)
1.5 Genetic Map
2. Genesis of La derniere bande
2.1 Before La derniere bande
2.2 Writing La derniere bande
3. Genesis of Krapp's Last Tape
3.1 Translating La derniere bande
3.2 Translation as 'unwording'
3.3 Other patterns of revision
Conclusion
Bibliography
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