Socialist senses : film, feeling, and the Soviet subject, 1917-1940

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Socialist senses : film, feeling, and the Soviet subject, 1917-1940

Emma Widdis

Indiana University Press, c2017

  • : pb

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注記

Bibliography: p. 355-393

Includes index

内容説明・目次

内容説明

This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a 'sensory revolution' to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

目次

Preface Acknowledgements Note on Translation and Transliteration Introduction: Feeling Soviet 1. Avant-Garde Sensations 2. Material Sensations 3. Textile Sensations 4. Socialist Sensations 5. Primitive Sensations 6. Modern Sensations 7. Socialist Feelings 8. Socialist Transformations 9. Socialist Pleasures Conclusion: The Death of Sensation Glossary of Russian Terms Bibliography Index

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