Dreams of Germany : musical imaginaries from the concert hall to the dance floor

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Dreams of Germany : musical imaginaries from the concert hall to the dance floor

edited by Neil Gregor and Thomas Irvine

(Spektrum : publications of the German Studies Association / series editor, David M. Luebke, vol. 18)

Berghahn Books, 2019

  • : hardback

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.

目次

List of Figures and Tables Acknowledgments Introduction Neil Gregor and Thomas Irvine PART I: SPACES AND MOMENTS OF AFFECT Chapter 1. "The German in the Concert Hall": Concertgoing and National Belonging in the Early Twentieth Century Hansjakob Ziemer Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make Rock and Roll the Lingua Franca of Youth Julia Sneeringer Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex, Affect, and Techno at Snax Club in Berlin Luis-Manuel Garcia PART II: THE LOCAL, THE REGIONAL, THE NATIONAL Chapter 4. Bruckner, Munich, and the Longue Duree of Musical Listening between the Imperial and Postwar Eras Neil Gregor Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in Bavaria, 1934-38 123 Dana Smith Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater Emily Richmond Pollock PART III: GLOBALIZING MUSICAL GERMANNESS Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan Brooke McCorkle Chapter 8. Hubert Parry, Germany, and the "North" Thomas Irvine PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's 950th "Birthday" and the 50th Anniversary of Bruckner's Death Lap-Kwan Kam Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer's Aide -Memoire (1983) Martha Sprigge Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika Sean Nye Index

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