The piano-forte : its history traced to the Great Exhibition of 1851

書誌事項

The piano-forte : its history traced to the Great Exhibition of 1851

by Rosamond E. M. Harding

Cambridge University Press, 2014, c1933

  • : pbk

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注記

"First published 1933. First paperback edition 2014"--T.p. verso

Includes bibliographical references and index

内容説明・目次

内容説明

Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.

目次

  • Preface
  • List of plates
  • List of abbreviations
  • Part I. The Pianoforte in the Eighteenth Century: 1. The invention of the pianoforte in Italy
  • 2. The invention of the pianoforte in France
  • 3. The invention and development of the pianoforte in Germany
  • 4. The tangent action and the cembalo stop
  • 5. The pianoforte in England
  • 6. Later developments in France
  • 7. The pianoforte in America
  • 8. The musical significance of the new instrument
  • Part II. The Pianoforte in the Nineteenth Century
  • Section 1. The Pianoforte as a Chamber Orchestra: 1. The pianoforte as a chamber orchestra
  • 2. Devices for the purpose of sustaining the tone
  • 3. Octave couplers and 'Duoclave' pianofortes
  • 4. The influence of programme music upon the pianoforte
  • 5. The influence of Turkish music upon the pianoforte
  • 6. Turkish music and other pedals
  • Section 2. The Pianoforte as a Solo Instrument in the Early Nineteenth Century: 1. The concert grand pianoforte
  • 2. Some improvements in the construction of the pianoforte relating to the production of a loud and sonorous tone
  • 3. The metal frame
  • 4. Pitch and temperament
  • Section 3. The Pianoforte as a Domestic Instrument: 1. The upright pianoforte
  • 2. Some other types of pianofortes in the home
  • 3. Pedal, transposing and self-acting pianofortes, experimental keyboards
  • 4. Tuning the pianoforte and apparatus for keeping the pianoforte in tune
  • Appendix A. Technical terms
  • Appendix B. Bibliography
  • Appendix C. List of patents
  • Appendix D. Concerning wire
  • Appendix E. Felt-making
  • tinder and sponge for hammer heads
  • process of tanning leather for hammer heads
  • Appendix F. Prices of pianofortes and of materials used in their manufacture
  • Appendix G. Select list of English pianoforte makers in London and its environs up to the year 1851
  • Appendix H. A note on pedal signs
  • Index.

「Nielsen BookData」 より

詳細情報
  • NII書誌ID(NCID)
    BB27880992
  • ISBN
    • 9781107418271
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Cambridge
  • ページ数/冊数
    xviii, 432 p.
  • 大きさ
    24 cm
  • 分類
  • 件名
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