Animation, plasticity, and music in Italy, 1770-1830
著者
書誌事項
Animation, plasticity, and music in Italy, 1770-1830
University of California Press, c2017
- : cloth
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注記
"Simpson imprint in humanities"
Includes bibliographical references (p. 195-212) and index
内容説明・目次
内容説明
This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, Plasticity, and Music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.
目次
Acknowledgments
Introduction
1. Dancing Statues
2. Pimmalione
3. Defining Italy in Haunted Rome
4. Partial Animacy and Blind Listening in Napoleonic Italy
5. Giuditta Pasta and the History of Musical Electrification
Conclusion
Notes
Bibliography
List of Illustrations
Index
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