Experiencing the violin concerto
著者
書誌事項
Experiencing the violin concerto
（A listener's companion）
Rowman & Littlefield, c2016
- : cloth
- タイトル別名
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Experiencing the violin concerto : a listener's companion
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注記
Includes bibliographical references (p. 173-174) and index
内容説明・目次
内容説明
Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist's virtuosity and the blended sonority of an orchestra's many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi's Four Seasons.
In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation.
Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener's Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.
目次
Chapter 1: In the Baroque: Vivaldi's Four Seasons and Bach's Four Harpsichords
Chapter 2: Mozart - Haydn - Brunetti - Tomasini
Chapter 3: Viotti and Beethoven
Chapter 4: The Meteoric Paganini and His Epigones
Chapter 5: At the Heart of German Romanticism: Mendelssohn, Schumann, and Bruch
Chapter 6: Brahms' Violin Concerto and the End of an Era
Chapter 7: In the After-Brahms: Monsters and Leprechauns
Chapter 8: Pillars of Modernism: Stravinsky, Prokofiev, Berg, and Bartok
Chapter 9: Barber and Korngold, Shostakovich and...Schoenberg
Chapter 10: Music without Anxieties
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