Cultural politics around East Asian cinema : 1939-2018
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書誌事項
Cultural politics around East Asian cinema : 1939-2018
Kyoto University Press , Trans Pacific Press, 2019
- : Kyoto University Press
- : Trans Pacific Press
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Includes bibliographical references and indexes
内容説明・目次
- 巻冊次
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: Kyoto University Press ISBN 9784814002139
目次
- １ Ｆｉｌｍ Ｃｏｎｔｒｏｌ ｉｎ ｔｈｅ Ｊａｐａｎ Ｆｉｌｍ Ｌａｗ（Ｅｉｇａ‐ｈｏ）
- ２ “Ｍｅ‐ｉｓｔｉｃ Ｎａｔｉｏｎａｌｉｓｍ” ｉｎ Ｆｉｌｍｓ Ｐｒｏｍｏｔｅｄ ｂｙ ｔｈｅ Ｊａｐａｎ Ｓｅｌｆ‐Ｄｅｆｅｎｓｅ Ｆｏｒｃｅｓ：Ｆｏｃｕｓ ｏｎ Ｍｉｄｎｉｇｈｔ Ｅａｇｌｅ ａｓ ａｎ Ｅｘａｍｐｌｅ
- ３ Ｃｏｌｌａｂｏｒａｔｉｏｎ ｂｅｔｗｅｅｎ Ｕ．Ｓ．Ｆｉｌｍ Ｉｎｄｕｓｔｒｙ ａｎｄ Ｕ．Ｓ．Ｇｏｖｅｒｎｍｅｎｔ ｆｏｒ Ｆｉｌｍ Ｄｉｓｔｒｉｂｕｔｉｏｎ ｉｎ ｔｈｅ Ｒｅｐｕｂｌｉｃ ｏｆ Ｃｈｉｎａ
- ４ ＷＷ２ Ｆｉｌｍ Ｐｒｏｄｕｃｔｉｏｎ ｉｎ Ｃｈｏｎｇｑｉｎｇ：Ｔｈｅ Ｊａｐａｎｅｓｅ Ｓｐｙ
- ５ Ｆａｃｔｏｒｓ ｉｎ ｔｈｅ Ｅｓｔａｂｌｉｓｈｍｅｎｔ ｏｆ ｔｈｅ Ａｎｉｍａｔｉｏｎ Ｉｎｄｕｓｔｒｙ ｉｎ Ｐｏｓｔｗａｒ Ｊａｐａｎ
- ６ Ｖｉｒｔｕｏｕｓ ａｎｄ Ｄｅｐｒａｖｅｄ：Ｐｏｒｔｒａｙａｌｓ ｏｆ Ｗｏｍｅｎ ｉｎ Ｎｏｒｔｈ Ｋｏｒｅａｎ Ｃｉｎｅｍａ
- ７ Ｄｕａｌ Ｌａｎｇｕａｇｅ，Ｄｕｂｂｅｄ Ｃｉｎｅｍａ：Ａｎ Ｅｎｌｉｇｈｔｅｎｅｄ Ｃｏｌｏｎｉａｌ Ｓｕｂｊｅｃｔ ｉｎ Ｈｏｍｅｌｅｓｓ Ａｎｇｅｌｓ
- ８ Ｄｏｕｂｌｅ‐ｅｄｇｅｄ Ｎａｔｉｏｎａｌ Ｉｍａｇｅｒｙ：Ｆｒｏｍ Ｔｈｅ Ｄａｕｇｈｔｅｒ ｏｆ ｔｈｅ Ｓａｍｕｒａｉ ｔｏ Ｍｙ Ｊａｐａｎ
- ９ Ｔｈｅ Ｍｙｓｔｅｒｉｏｕｓ Ｐｏｐｕｌａｒｉｔｙ ｏｆ Ｊａｐａｎｅｓｅ Ｆｉｌｍｓ ｉｎ Ｔａｉｗａｎ ｉｎ ｔｈｅ １９５０ｓ ａｎｄ ’６０ｓ
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内容説明・目次
- 巻冊次
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: Trans Pacific Press ISBN 9781925608861
内容説明
This book examines the interdependent relationships between the film industry and the state in East Asia, treating films as political economic products, mixtures of government policy and industrial motives, rather than mere works of art or media commodities.
Chapters examine the East Asian film industries from the 1930s to the 2010s, which pursued their own economic and political goals by cooperating, negotiating, and conflicting with states. Through studies of national film policies, film industry strategies, and cultural-political influences on audience receptivity, this book reveals how films are formed by the interaction of the state, the film companies and audiences.
目次
Figures
Tables
Photos
List of Contributors
Introduction
Noriko Sudo
1 Film Control in the Japan Film Law (Eiga-ho)
Atsuko KATO
2 “Me-istic Nationalism” in Films Promoted by the Japan Self-Defense Forces: Focus on Midnight Eagle as an Example
Noriko SUDO
3 Collaboration between U.S. Film Industry and U.S. Government for Film Distribution in the Republic of China
Takeshi TANIKAWA
4 WWII Film Production in Chongqing: The Japanese Spy
Yanli HAN
5 Factors in the Establishment of the Animation Industry in Postwar Japan
Tomoya KIMURA
6 Virtuous and Depraved: Portrayals of Women in North Korean Cinema
Benjamin JOINAU
7 Dual Language, Dubbed Cinema: An Enlightened Colonial Subject in Homeless Angels
Youngjae YI
8 Double-edged National Imagery: From The Daughter of the Samurai to My Japan
Takeshi TANIKAWA
9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s
Mamie MISAWA
Index
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