Cultural politics around East Asian cinema : 1939-2018
著者
書誌事項
Cultural politics around East Asian cinema : 1939-2018
Kyoto University Press , Trans Pacific Press, 2019
- : Kyoto University Press
- : Trans Pacific Press
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and indexes
内容説明・目次
- 巻冊次
-
: Kyoto University Press ISBN 9784814002139
目次
- 1 Film Control in the Japan Film Law(Eiga‐ho)
- 2 “Me‐istic Nationalism” in Films Promoted by the Japan Self‐Defense Forces:Focus on Midnight Eagle as an Example
- 3 Collaboration between U.S.Film Industry and U.S.Government for Film Distribution in the Republic of China
- 4 WW2 Film Production in Chongqing:The Japanese Spy
- 5 Factors in the Establishment of the Animation Industry in Postwar Japan
- 6 Virtuous and Depraved:Portrayals of Women in North Korean Cinema
- 7 Dual Language,Dubbed Cinema:An Enlightened Colonial Subject in Homeless Angels
- 8 Double‐edged National Imagery:From The Daughter of the Samurai to My Japan
- 9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s
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内容説明・目次
- 巻冊次
-
: Trans Pacific Press ISBN 9781925608861
内容説明
This book examines the interdependent relationships between the film industry and the state in East Asia, treating films as political economic products, mixtures of government policy and industrial motives, rather than mere works of art or media commodities.
Chapters examine the East Asian film industries from the 1930s to the 2010s, which pursued their own economic and political goals by cooperating, negotiating, and conflicting with states. Through studies of national film policies, film industry strategies, and cultural-political influences on audience receptivity, this book reveals how films are formed by the interaction of the state, the film companies and audiences.
目次
Figures
Tables
Photos
List of Contributors
Introduction
Noriko Sudo
1 Film Control in the Japan Film Law (Eiga-ho)
Atsuko KATO
2 “Me-istic Nationalism” in Films Promoted by the Japan Self-Defense Forces: Focus on Midnight Eagle as an Example
Noriko SUDO
3 Collaboration between U.S. Film Industry and U.S. Government for Film Distribution in the Republic of China
Takeshi TANIKAWA
4 WWII Film Production in Chongqing: The Japanese Spy
Yanli HAN
5 Factors in the Establishment of the Animation Industry in Postwar Japan
Tomoya KIMURA
6 Virtuous and Depraved: Portrayals of Women in North Korean Cinema
Benjamin JOINAU
7 Dual Language, Dubbed Cinema: An Enlightened Colonial Subject in Homeless Angels
Youngjae YI
8 Double-edged National Imagery: From The Daughter of the Samurai to My Japan
Takeshi TANIKAWA
9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s
Mamie MISAWA
Index
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