CiNii Books - Cultural politics around East Asian cinema : 1939-2018

１　Ｆｉｌｍ　Ｃｏｎｔｒｏｌ　ｉｎ　ｔｈｅ　Ｊａｐａｎ　Ｆｉｌｍ　Ｌａｗ（Ｅｉｇａ‐ｈｏ）
２　“Ｍｅ‐ｉｓｔｉｃ　Ｎａｔｉｏｎａｌｉｓｍ”　ｉｎ　Ｆｉｌｍｓ　Ｐｒｏｍｏｔｅｄ　ｂｙ　ｔｈｅ　Ｊａｐａｎ　Ｓｅｌｆ‐Ｄｅｆｅｎｓｅ　Ｆｏｒｃｅｓ：Ｆｏｃｕｓ　ｏｎ　Ｍｉｄｎｉｇｈｔ　Ｅａｇｌｅ　ａｓ　ａｎ　Ｅｘａｍｐｌｅ
３　Ｃｏｌｌａｂｏｒａｔｉｏｎ　ｂｅｔｗｅｅｎ　Ｕ．Ｓ．Ｆｉｌｍ　Ｉｎｄｕｓｔｒｙ　ａｎｄ　Ｕ．Ｓ．Ｇｏｖｅｒｎｍｅｎｔ　ｆｏｒ　Ｆｉｌｍ　Ｄｉｓｔｒｉｂｕｔｉｏｎ　ｉｎ　ｔｈｅ　Ｒｅｐｕｂｌｉｃ　ｏｆ　Ｃｈｉｎａ
４　ＷＷ２　Ｆｉｌｍ　Ｐｒｏｄｕｃｔｉｏｎ　ｉｎ　Ｃｈｏｎｇｑｉｎｇ：Ｔｈｅ　Ｊａｐａｎｅｓｅ　Ｓｐｙ
５　Ｆａｃｔｏｒｓ　ｉｎ　ｔｈｅ　Ｅｓｔａｂｌｉｓｈｍｅｎｔ　ｏｆ　ｔｈｅ　Ａｎｉｍａｔｉｏｎ　Ｉｎｄｕｓｔｒｙ　ｉｎ　Ｐｏｓｔｗａｒ　Ｊａｐａｎ
６　Ｖｉｒｔｕｏｕｓ　ａｎｄ　Ｄｅｐｒａｖｅｄ：Ｐｏｒｔｒａｙａｌｓ　ｏｆ　Ｗｏｍｅｎ　ｉｎ　Ｎｏｒｔｈ　Ｋｏｒｅａｎ　Ｃｉｎｅｍａ
７　Ｄｕａｌ　Ｌａｎｇｕａｇｅ，Ｄｕｂｂｅｄ　Ｃｉｎｅｍａ：Ａｎ　Ｅｎｌｉｇｈｔｅｎｅｄ　Ｃｏｌｏｎｉａｌ　Ｓｕｂｊｅｃｔ　ｉｎ　Ｈｏｍｅｌｅｓｓ　Ａｎｇｅｌｓ
８　Ｄｏｕｂｌｅ‐ｅｄｇｅｄ　Ｎａｔｉｏｎａｌ　Ｉｍａｇｅｒｙ：Ｆｒｏｍ　Ｔｈｅ　Ｄａｕｇｈｔｅｒ　ｏｆ　ｔｈｅ　Ｓａｍｕｒａｉ　ｔｏ　Ｍｙ　Ｊａｐａｎ
９　Ｔｈｅ　Ｍｙｓｔｅｒｉｏｕｓ　Ｐｏｐｕｌａｒｉｔｙ　ｏｆ　Ｊａｐａｎｅｓｅ　Ｆｉｌｍｓ　ｉｎ　Ｔａｉｗａｎ　ｉｎ　ｔｈｅ　１９５０ｓ　ａｎｄ　’６０ｓ

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Volume: : Trans Pacific Press ISBN 9781925608861

Description

This book examines the interdependent relationships between the film industry and the state in East Asia, treating films as political economic products, mixtures of government policy and industrial motives, rather than mere works of art or media commodities. Chapters examine the East Asian film industries from the 1930s to the 2010s, which pursued their own economic and political goals by cooperating, negotiating, and conflicting with states. Through studies of national film policies, film industry strategies, and cultural-political influences on audience receptivity, this book reveals how films are formed by the interaction of the state, the film companies and audiences.

Table of Contents

Figures Tables Photos List of Contributors Introduction Noriko Sudo 1 Film Control in the Japan Film Law (Eiga-ho) Atsuko KATO 2 “Me-istic Nationalism” in Films Promoted by the Japan Self-Defense Forces: Focus on Midnight Eagle as an Example Noriko SUDO 3 Collaboration between U.S. Film Industry and U.S. Government for Film Distribution in the Republic of China Takeshi TANIKAWA 4 WWII Film Production in Chongqing: The Japanese Spy Yanli HAN 5 Factors in the Establishment of the Animation Industry in Postwar Japan Tomoya KIMURA 6 Virtuous and Depraved: Portrayals of Women in North Korean Cinema Benjamin JOINAU 7 Dual Language, Dubbed Cinema: An Enlightened Colonial Subject in Homeless Angels Youngjae YI 8 Double-edged National Imagery: From The Daughter of the Samurai to My Japan Takeshi TANIKAWA 9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s Mamie MISAWA Index

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Cultural politics around East Asian cinema : 1939-2018

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