Dorothea Tanning
著者
書誌事項
Dorothea Tanning
, 2018
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalogue of an exhibition held at Museo Nacional Centro de Arte Reina Sofía, Madrid, Oct. 3, 2018-Jan. 7, 2019; Tate Modern, London, Feb. 27-June 9, 2019
First edition in Spanish published by Museo National Centro de Arte Reina Sofía, 2018
List of works: p. 191-198
Selected reading: p. 201
Includes index
内容説明・目次
内容説明
While a young student in Chicago, Dorothea Tanning (1910-2012) regularly haunted the corridors of the Art Institute in order to learn `what painting was'. She later moved to New York, and met the art dealer, Julien Levy, who introduced her to surrealist refugees who had fled from occupied Europe, including her future husband Max Ernst. Tanning and Ernst settled first in Sedona, Arizona,where she created enigmatic paintings of life on the inside, looking out (including Tate's own Eine Kleine Nachtmusik from 1943). The couple transferred to Paris in 1956, a move which marked the beginning of Tanning's intense adventure in soft sculpture, featuring fleshy, figure-like protruberances captured in textured fabrics (such as the remarkable installation Chambre 202, Hotel du Pavot or Tate's Nue couchee
1969-70). Tanning returned to the USA after Ernst's death in 1976 and, while continuing to paint, she also began to write poetry and fiction (her published works include two memoirs, Birthday and Between Lives, two collections of poems Coming to That and A Table of Content, and a novel, Chasm). Dorothea Tanning died at her home in New York City on January 31, 2012. She was 101 years old.
There is little in print detailing Tanning's entire career, and still less that is well illustrated. This book will be a beautiful introduction to the work of a remarkable and fascinating artist. It will include an overview of the artist's life and career written by Alyce Mahon;
Ann Coxon will write on theme of the home and domestic in Tanning's art and examine the overlap with the several contemporary women artists; Idoia Murga Castro will explore the significance of dance and stage in tanning's work, with particular relevance to the drama of the 1940s and 50s; and Mahon will also write on Tanning's sculptural output.
The texts and plates are to be punctuated by extracts from Tanning's diaries, selected by the curators and the Pamela Johnson, Executive Director of the Dorothea Tanning Foundation in New York.
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