The Bloomsbury companion to dance studies
著者
書誌事項
The Bloomsbury companion to dance studies
(Bloomsbury companions)
Bloomsbury Academic, 2019
- : hb
- タイトル別名
-
Companion to dance studies
Dance studies
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Bloomsbury Companion to Dance Studies brings together leading international dance scholars in this single collection to provide a vivid picture of the state of contemporary dance research. The book commences with an introduction that privileges dancing as both a site of knowledge formation and a methodological approach, followed by a provocative overview of the methods and problems that dance studies currently faces as an established disciplinary field. The volume contains eleven core chapters that each map out a specific area of inquiry: Dance Pedagogy, Practice-As-Research, Dance and Politics, Dance and Identity, Dance Science, Screendance, Dance Ethnography, Popular Dance, Dance History, Dance and Philosophy, and Digital Dance.
Although these sub-disciplinary domains do not fully capture the dynamic ways in which dance scholars work across multiple positions and perspectives, they reflect the major interests and innovations around which dance studies has organized its teaching and research. Therefore each author speaks to the labels, methods, issues and histories of each given category, while also exemplifying this scholarship in action. The dances under investigation range from experimental conceptual concert dance through to underground street dance practices, and the geographic reach encompasses dance-making from Europe, North and South America, the Caribbean and Asia. The book ends with a chapter that looks ahead to new directions in dance scholarship, in addition to an annotated bibliography and list of key concepts.
The volume is an essential guide for students and scholars interested in the creative and critical approaches that dance studies can offer.
目次
List of Illustrations
Notes on Contributors
Acknolwedgments
1. Introduction
Sherril Dodds (Temple University, USA)
2. Research Methods and Problems
Rachel Fensham (Melbourne University, Australia)
Current Research and Issues
3. Dance Pedagogy
Edward C. Warburton (University of California, Santa Cruz, USA)
4. Practice-As-Research
Vida Midgelow (Middlesex University, UK)
5. Dance and Politics
Juan Ignacio Vallejos (National Council for Scientific and Technical Research, Argentina.)
6. Dance and Identity
Prarthana Purkayastha (Royal Holloway, University of London, UK)
7. Dance Science
Emma Redding (Trinity Laban, UK)
8. Screendance
Harmony Bench (The Ohio State university, USA)
9. Dance Ethnography
Yvonne Daniel (Smith College, USA)
10. Popular Dance
Sherril Dodds (Temple University, USA)
11. Dance History
Susan Manning (Northwestern University, USA)
12. Dance and Philosophy
Anna Pakes (Roehampton University, UK)
13. Digital Dance
Hetty Blades (Coventry University, USA) and Sarah Whatley (Coventry University, USA)
14. New Directions
Mark Franko (Temple University, USA)
15. Annotated Bibliography
Elizabeth Bergman (Temple University, USA)
16. A to Z of Key Concepts in Dance Studies
Lise Uytterhoeven (London Studio Centre, UK)
Index
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