Confronting the national in the musical past
著者
書誌事項
Confronting the national in the musical past
Routledge, 2018
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.
目次
Part 1 Confronting the National 1. Cosmopolitan Musicology. Derek B. Scott. 2. Liszt's National Compositions in the Year of the Franco-Prussian War. Shay Loya. 3. The Migrant and the Nation: Hanns Eisler and German Identity. Florian Scheding. 4. The Travelling Musician as Cosmopolitan: Western Performers and Composers in Mid-Nineteenth-Century St Petersburg and Moscow. Rutger Helmers. 5. Communist Nationalisms, Internationalisms, and Cosmopolitanisms: The Case of the German Democratic Republic. Elaine Kelly. Part 2 Confronting National Institutions 6. Listening Together: Aurality and the Everyday in Riga before the Shoah. Kevin C. Karnes. 7. Two Men Averting the Gaze from the Fatherland: Ilmari Krohn and Armas Launis as Cosmopolitan Musicologists in Early Twentieth-Century Finland. Markus Mantere. 8. National Phonography in the Musical Past: Empire, Archive, and Overlapping Musical Migrations in Britain. Tom Western. 9. Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music. James Andean. Part 3 Confronting National Stereotypes 10. Learning Music in the Social Jungle: Young Performers' Method Books in the Post-War USA and De-Germanized Finland. Tomi Makela.11. Liberte, Egalite, and Lutherie: Fetishizing Stradivari in the Context of French Nationalism. Christina Linsenmeyer. 12. 'Cantor of the enduring human heart': Wagner in the Parisian press, 1933. Rachel Orzech. 13. Territory Is the Key: A Look at the Birth of 'National Music' in Spain (1799-1803). Teresa Cascudo.
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