Confronting the national in the musical past
Author(s)
Bibliographic Information
Confronting the national in the musical past
Routledge, 2018
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.
Table of Contents
Part 1 Confronting the National 1. Cosmopolitan Musicology. Derek B. Scott. 2. Liszt's National Compositions in the Year of the Franco-Prussian War. Shay Loya. 3. The Migrant and the Nation: Hanns Eisler and German Identity. Florian Scheding. 4. The Travelling Musician as Cosmopolitan: Western Performers and Composers in Mid-Nineteenth-Century St Petersburg and Moscow. Rutger Helmers. 5. Communist Nationalisms, Internationalisms, and Cosmopolitanisms: The Case of the German Democratic Republic. Elaine Kelly. Part 2 Confronting National Institutions 6. Listening Together: Aurality and the Everyday in Riga before the Shoah. Kevin C. Karnes. 7. Two Men Averting the Gaze from the Fatherland: Ilmari Krohn and Armas Launis as Cosmopolitan Musicologists in Early Twentieth-Century Finland. Markus Mantere. 8. National Phonography in the Musical Past: Empire, Archive, and Overlapping Musical Migrations in Britain. Tom Western. 9. Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music. James Andean. Part 3 Confronting National Stereotypes 10. Learning Music in the Social Jungle: Young Performers' Method Books in the Post-War USA and De-Germanized Finland. Tomi Makela.11. Liberte, Egalite, and Lutherie: Fetishizing Stradivari in the Context of French Nationalism. Christina Linsenmeyer. 12. 'Cantor of the enduring human heart': Wagner in the Parisian press, 1933. Rachel Orzech. 13. Territory Is the Key: A Look at the Birth of 'National Music' in Spain (1799-1803). Teresa Cascudo.
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