The land we saw, the times we knew : an anthology of zuihitsu writing from early modern Japan
Author(s)
Bibliographic Information
The land we saw, the times we knew : an anthology of zuihitsu writing from early modern Japan
University of Hawaiʻi Press, c2019
- Other Title
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そゝろ物語
七種宝納記
独語
長崎閑話
見た京物語
塵塚談
浪華の風
Available at 11 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 325-348) and index
Contents of Works
- Tales that come to mind (Sozoro monogatari)/ [Miura Jōshin]
- A record of seven offered treasures (Nanakusa hōnō-ki) / [Kōzai Raizan]
- Monologue (Dokugo) / [Dazai Shundai]
- Idle talk of Nagasaki (Nagasaki kanwa)
- Kyoto observed (Mita kyō monogatari) / [Nishotei Hanzan]
- A dustheap of discourses (Chirizuka-dan) / [Ogawa Akimichi]
- The breezes of Osaka (Naniwa no kaze) / [Kusumi Suketoshi]
Description and Table of Contents
Description
Japanese zuihitsu (essays) offer a treasure trove of information and insights rarely found in any other genre of Japanese writing. Especially during their golden age, the Edo period (1600-1868), zuihitsu treated a great variety of subjects. In the pages of a typical zuihitsu the reader encountered facts and opinions on everything from martial arts to music, food to fashions, dragons to drama-much of it written casually and seemingly without concern for form or order. The seven zuihitsu translated and annotated in this volume date from the early seventeenth to the late nineteenth centuries. Some of the essays are famous while others are less well known, but none have been published in their entirety in any Western language.
Following a substantial introduction outlining the development of the genre, Tales That Come to Mind is an early seventeenth-century account of Edo kabuki theater and the Yoshiwara "pleasure quarters" penned by a Buddhist monk. A Record of Seven Offered Treasures, composed by a retired samurai-monk near the end of the seventeenth century, starts as a treatise on the proper education of youth but ends as a critique of the author's own life and moral failings. Perhaps most famous piece in the volume, Monologue, was drafted by the renowned Confucianist Dazai Shundai, a keen and insightful observer of life during the late seventeenth and early eighteenth centuries. Dazai treats, in turn, poetry, the tea ceremony, comic verse, music, theater, and fashion. Nagasaki Prattle is an entertaining record of a journey to Nagasaki by a group of Confucianists in the early eighteenth century. In Kyoto Observed, a mid-eighteenth century Edo resident compares the shogun's and the emperor's capital in a series of brief vignettes. An 1814 zuihitsu classic written by a physician, A Dustheap of Discourses presents another colorful mosaic of topics related to life in Edo. The book closes with The Breezes of Osaka, a lively essay by a highly cultured Edo administrator contrasting the food, life, and culture of his hometown with that of Osaka, where he briefly served as mayor in the 1850s.
by "Nielsen BookData"