Surrealism at play
著者
書誌事項
Surrealism at play
（Art history publication initiative）
Duke University Press, 2019
- : hardcover
- : pbk
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注記
Includes bibliographical references (p. [331]-350) and index
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9781478001966
内容説明
In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray’s rayographs, or Joan Miró’s visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.
目次
List of Illustrations ix
Acknowledgments xv
Introduction. A Modern Critical Ludic 1
1. Blur 29
2. Drift 72
3. System 137
4. Pun 185
5. Postlude 246
Notes 273
Bibliography 331
Index 351
- 巻冊次
-
: pbk ISBN 9781478003076
内容説明
In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray's rayographs, or Joan Miro's visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.
目次
List of Illustrations ix
Acknowledgments xv
Introduction. A Modern Critical Ludic 1
1. Blur 29
2. Drift 72
3. System 137
4. Pun 185
5. Postlude 246
Notes 273
Bibliography 331
Index 351
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