Cultural protest in journalism, documentary films and the arts : between protest and professionalisation
Author(s)
Bibliographic Information
Cultural protest in journalism, documentary films and the arts : between protest and professionalisation
(Routledge studies in radical history and politics / series editors, Thomas Linehan, John Roberts)
Routledge, 2019
- : hbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [186]-208) and index
Description and Table of Contents
Description
Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era.
The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives - drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory - in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work.
In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.
Table of Contents
1. Introduction
2. Key Theoretical Paradigms
3. Protest Cultures and Regulatory Contexts
4. Ethnographic Immersion in Media and Cultural Projects in Protest Cultures
5. Changing Imperatives in Journalism/News Production in Protest Cultures
6. Changing Imperatives in Documentary Film-Making in Protest Cultures
7. Changing Imperatives in Arts and Cultural Programming in Protest Cultures
8. Conclusion
by "Nielsen BookData"