Emotion in video game soundtracking
著者
書誌事項
Emotion in video game soundtracking
(International series on computer entertainment and media technology)
Springer, c2018
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear - Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.
目次
1 Welcome and Introduction from the Editors.- 2 Past: An overview of emotion as a parameter in music, definitions, and historical approaches.- 3 Present: Emotion in speech, singing, and sound effects.- 4 Present: Affectively-driven algorithmic composition.- 5 An auto-ethnographic approach to creating the emotional content of horror game soundtracking.- 6 Present: Brain Computer Music Interfacing (BCMI).- 7 When the Soundtrack is the Game: from Audio-games to Gaming the Music.- 8 Motion Controllers, Sound, and Music in Video Games.- 9 Future: Repurposing music according to individual preferences for personalized soundtracks.- 10 Sounding the Story: Music in Videogame Cutscenes.- 11 The Impact of Multichannel Game Audio on the Quality and Enjoyment of Player Experience.- 12 Concluding remarks.
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