Three seventeenth-century plays on women and performance
著者
書誌事項
Three seventeenth-century plays on women and performance
(The Revels plays companion library / E.A.J. Honigmann ... [et al.], general editors)
Manchester University Press, 2012
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
収録内容
- The wild-goose chase / by John Fletcher ; edited by Sophie Tomlinson
- The bird in a cage / by James Shirley ; edited by Julie Sanders
- The convent of pleasure / by Margaret Cavendish ; edited by Hero Chalmers
内容説明・目次
内容説明
This is a ground-breaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The collection, edited by three pioneering scholars of elite female culture and early modern drama, makes the texts of three much-discussed plays - John Fletcher's The Wild-Goose Chase, James Shirley's The Bird in a Cage and Margaret Cavendish's The Convent of Pleasure - available together in a full scholarly edition for the first time.
The Wild Goose Chase (1621) and The Bird in a Cage (1633) were both performed in the commercial London theatres in the Jacobean and Caroline periods respectively. The Convent of Pleasure (1668) is a so-called 'closet' drama, designed primarily for reading but drawing on a tradition of aristocratic theatricals. In a wide-ranging co-authored introduction to the volume, the editors explore the concerns of these playtexts in relation to contemporary debates surrounding popular festivity and anti-theatricalism, as well as the agency of elite female culture in the Stuart period and the emergence of the professional female actor in the Restoration.
The volume will be an invaluable teaching and research tool for students and scholars of early modern drama, women's writing and performance studies more generally, as well as providing a rich sourcebook for the reader interested in seventeenth-century theatrical culture. -- .
目次
General Editors' Preface
Acknowledgements
Abbreviations and references
Introduction
The historical context
The plays
The texts
Stage histories
The plays
John Fletcher, The Wild-Goose Chase (ed. Sophie Tomlinson)
James Shirley, The Bird in a Cage (ed. Julie Sanders)
Margaret Cavendish, The Convent of Pleasure (ed. Hero Chalmers)
Appendices
A: Press variants
B: Commendatory verses to The Wild-Goose Chase (1652)
Index -- .
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