Three seventeenth-century plays on women and performance
Author(s)
Bibliographic Information
Three seventeenth-century plays on women and performance
(The Revels plays companion library / E.A.J. Honigmann ... [et al.], general editors)
Manchester University Press, 2012
- : pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Contents of Works
- The wild-goose chase / by John Fletcher ; edited by Sophie Tomlinson
- The bird in a cage / by James Shirley ; edited by Julie Sanders
- The convent of pleasure / by Margaret Cavendish ; edited by Hero Chalmers
Description and Table of Contents
Description
This is a ground-breaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The collection, edited by three pioneering scholars of elite female culture and early modern drama, makes the texts of three much-discussed plays - John Fletcher's The Wild-Goose Chase, James Shirley's The Bird in a Cage and Margaret Cavendish's The Convent of Pleasure - available together in a full scholarly edition for the first time.
The Wild Goose Chase (1621) and The Bird in a Cage (1633) were both performed in the commercial London theatres in the Jacobean and Caroline periods respectively. The Convent of Pleasure (1668) is a so-called 'closet' drama, designed primarily for reading but drawing on a tradition of aristocratic theatricals. In a wide-ranging co-authored introduction to the volume, the editors explore the concerns of these playtexts in relation to contemporary debates surrounding popular festivity and anti-theatricalism, as well as the agency of elite female culture in the Stuart period and the emergence of the professional female actor in the Restoration.
The volume will be an invaluable teaching and research tool for students and scholars of early modern drama, women's writing and performance studies more generally, as well as providing a rich sourcebook for the reader interested in seventeenth-century theatrical culture. -- .
Table of Contents
General Editors' Preface
Acknowledgements
Abbreviations and references
Introduction
The historical context
The plays
The texts
Stage histories
The plays
John Fletcher, The Wild-Goose Chase (ed. Sophie Tomlinson)
James Shirley, The Bird in a Cage (ed. Julie Sanders)
Margaret Cavendish, The Convent of Pleasure (ed. Hero Chalmers)
Appendices
A: Press variants
B: Commendatory verses to The Wild-Goose Chase (1652)
Index -- .
by "Nielsen BookData"