Divine work, Japanese colonial cinema and its legacy

書誌事項

Divine work, Japanese colonial cinema and its legacy

Kate Taylor-Jones

(Topics and issues in national cinema, v. 7)

Bloomsbury Academic, 2019

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注記

First published: 2017

Includes bibliographical references (p. [205]-222) and index

内容説明・目次

内容説明

For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan's territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.

目次

Introduction Part One: Colonial Cinema and the Imperial Machine Chapter One Constructing the Cinematic Japanese Empire: Taiwan and Korea Chapter Two Nation's in Harmony: Imperial cinema Chapter Three Landscape and the space of the colonial moment Chapter Four Army Recruitment Films Chapter Five Imperial Women Part Two: Contemporary Manifestations and the Legacy of Empire Introduction to Part Two Chapter Six Legacy of Empire Chapter Seven Japan Remembers, Japan Forgets Chapter Eight Remembering Nanjing Chapter Nine Transnational Legacy and Conclusion Bibliography Filmography

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