Olivier Messiaen's Catalogue d'oiseaux : from conception to performance
著者
書誌事項
Olivier Messiaen's Catalogue d'oiseaux : from conception to performance
(Music in context)
Cambridge University Press, 2018
- : hardback
大学図書館所蔵 件 / 全3件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 225-228) and index
内容説明・目次
内容説明
Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial conception in the Black Forest in 1953 to its completion and premiere in the Parisian 'Concerts du Domaine Musical' at the end of the decade. Through close examination of the composer's birdsong cahiers they demonstrate how Messiaen translated nature into music in a way that had a major impact on his later work. They also consider issues of performance, and Messiaen's artistic relationship with his dedicatee and wife-to-be, Yvonne Loriod, including the significance of her two recordings of the cycle. This book illuminates the Catalogue from a variety of angles: its historical significance, as a study of how mimicry of nature can be transformed into music of mesmeric originality, and as a guide that offers a wealth of fresh insights to listeners and performers.
目次
- 1. Introduction
- 2. Birdsong and the genesis of Catalogue d'oiseaux
- 3. Beyond the birdsong of Catalogue d'oiseaux
- 4. The first wave of composition
- 5. The second wave of composition
- 6. Performance
- 7. Postlude.
「Nielsen BookData」 より