Cartoon vision : UPA animation and postwar aesthetics

Author(s)

    • Bashara, Daniel

Bibliographic Information

Cartoon vision : UPA animation and postwar aesthetics

Daniel Bashara

University of California Press, [2019]

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Note

Includes bibliographical references and index

Description and Table of Contents

Description

In Cartoon Vision Dan Bashara examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of America (UPA), a studio whose graphic, abstract style defined the postwar period, Bashara considers animation akin to a laboratory, exploring new models of vision and space alongside theorists and practitioners in other fields. The links-theoretical, historical, and aesthetic-between animators, architects, designers, artists, and filmmakers reveal a specific midcentury modernism that rigorously reimagined the senses. Cartoon Vision invokes the American Bauhaus legacy of Laszlo Moholy-Nagy and Gyoergy Kepes and advocates for animation's pivotal role in a utopian design project of retraining the public's vision to better apprehend a rapidly changing modern world.

Table of Contents

List of Illustrations Acknowledgments Introduction 1 * Postwar Precisionism: Order in American Modernist Art and the Modern Cartoon 2 * Unlimited Animation: Movement in Modern Architecture and the Modern Cartoon 3 * Condensed Works: Communication in Graphic Design and the Modern Cartoon 4 * The Design Gaze: Cartoon Logic in Hollywood Cinema and the Avant-Garde Conclusion Notes Bibliography Index

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