World building : transmedia, fans, industries
著者
書誌事項
World building : transmedia, fans, industries
(Transmedia, 2)
Amsterdam University Press, c2017
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.
目次
Introduction: Worlds, Today, Marta Boni, University of Montreal Section 1: Theories of World Building 1) The Aesthetics of Proliferation, Marie-Laure Ryan, independent scholar 2) Building Science Fiction Worlds, Paolo Bertetti, University of Siena 3)YHe Doesn't Look Like Sherlock HolmesOE The Truth Value and Existential Status of Fictional Worlds and their Characters, Julien Lapointe, Concordia University, Montreal 4) YVisible WorldOE The Atlas as a Visual Form of Knowledge and Narrative Paradigm in Contemporary Art ,Cristina Baldacci, IUAV, Venice Section 2: Economies of World Building 5) A World of Disney: Building a Transmedia Storyworld for Mickey and his Friends, Matthew Freeman, Bath Spa University 6) World Building Logics and Copyright: the Dark Knight and the Great Detective, Roberta Pearson, University of Nottingham 7) Battleworlds: The Management of Multiplicity in the Media Industries, Derek Johnson, University of Wisconsin, Madison 8) Platform Producer Meets Game Master: On the Conditions for the Media Mix, Marc Steinberg, Concordia University, Montreal 9) Narrative Ecosystems: a Multidisciplinary Approach to Media Worlds, Veronica Innocenti and Guglielmo Pescatore, University of Bologna Section 3: Immersion 10) The Building and Blurring of Worlds: Sound, Space, and Complex Narrative Cinema, Justin Horton, Georgia State University 11) Beyond Immersion: Absorption, Saturation, and Overflow in the Building of Imaginary Worlds, Mark J.P. Wolf, Concordia University, Wisconsin 12) Zombie Escape and Survival Plans: Mapping the Transmedial World of the Dead, Bernard Perron, University of Montreal 13) MMORPG as Locally Realized Worlds of Action, Laurent Di Filippo, Centre de recherches sur les mediations, Universite de Lorraine, Nordistik, Universitat Basel Section 4: Media as World Building Devices 14) The Worries of the World(s): Cartoons and Cinema, Karen Redrobe (formerly Beckman), University of Pennsylvania 15) Linguistic Terrain and World Time: Chinese Media Theories and Their World Imaginations, Victor Fan, King's College London 16) The Worlds Align: Media Convergence and Complementary Storyworlds in Marvel's Thor: The Dark World, Dru Jeffries, University of Toronto 17) World Building and Metafiction in Contemporary Comic Books: Metalepsis and Figurative Process of Graphic Fiction, Denis Mellier, University of Poitiers Section 5: Appropriations and Fan Practices 18) The Monster at the End of This Book: Metalepsis, Fandom and Worldmaking in Contemporary TV Series, Valentina Re, Link Campus University of Rome 19) Traversing the YWhoniverseOE: Doctor Who's Hyperdiegesis and Transmedia Discontinuity/Diachrony, Matt Hills, University of Huddersfield 20) Transmediaphilia, World Building, and the Pleasures of the Personal Digital Archive, Jim Collins, University of Notre Dame 21) The Politics of World-building: Heteroglossia in Janelle Monae's Afrofuturist WondaLand, Dan Hassler-Forest, Utrecht University
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