Art can help
Author(s)
Bibliographic Information
Art can help
Yale University Art Gallery, 2017
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
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  Fukui
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  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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Note
Includes essays on the works of Edward Hopper, Richard Rothman, Julia Margaret Cameron and Abelardo Morell, Frank Gohlke, Wayne Gudmundson, Ken Abbott, Edward Ranney, Leo Rubinfien, Eric Paddock, Terri Weifenbach, Willam Wylie, Nicholas Nixon, Garry Winogrand, Mark Ruwedel, Judith Joy Ross, Cuny Janssen, Dorothea Lange, Mitch Epstein, Emmet Gowin, David T. Hanson, John Szarkowski, William S. Sutton, Eugene Buechel, Edward S. Curtis, Anthony Hernandez, Robert Benjamin, and Mary Peck
Includes bibliographical references
Description and Table of Contents
Description
In Art Can Help, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that "encourages us to gratitude and engagement, and is of both personal and civic consequence." Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts-more than half of which have never before been published-that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams's voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair.
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