Ritual, performance and the senses
著者
書誌事項
Ritual, performance and the senses
（Sensory studies series / general editor, David Howes）
Bloomsbury Academic, 2016, c2015
- : pbk
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注記
Includes bibliographical references (p. [181]-201) and index
First published in 2015
内容説明・目次
内容説明
Ritual has long been a central concept in anthropological theories of religious transmission. Ritual, Performance and the Senses offers a new understanding of how ritual enables religious representations - ideas, beliefs, values - to be shared among participants.Focusing on the body and the experiential nature of ritual, the book brings together insights from three distinct areas of study: cognitive/neuroanthropology, performance studies and the anthropology of the senses. Eight chapters by scholars from each of these sub-disciplines investigate different aspects of embodied religious practice, ranging from philosophical discussions of belief to explorations of the biological processes taking place in the brain itself. Case studies range from miracles and visionary activity in Catholic Malta to meditative practices in theatrical performance and include three pilgrimage sites: the Church of the Holy Sepulchre in Jerusalem, the festival of Ramlila in Ramnagar, India and the mountain shrine of the Lord of the Shiny Snow in Andean Peru. Understanding ritual allows us to understand processes at the very centre of human social life and humanity itself, making this an invaluable text for students and scholars in anthropology, cognitive science, performance studies and religious studies.
目次
IntroductionJon P. Mitchell and Michael Bull, University of Sussex, UKRitual Action Shapes Our Brains: an Essay in NeuroanthropologyRobert Turner, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, GermanyPlace-making in the 'Holy of Holies': the Church of the Holy Sepulchre, JerusalemTrevor Marchand, School of Oriental and African Studies, UKThe Importance of Repetition: Ritual as Extension of MindGreg Downey, Macquarie University, AustraliaDivine Intervention: Ontology, Cognition and Performance in Maltese Visionary PhenomenaJon P. Mitchell, University of Sussex, UKMaking 'Sense' in Embodied/Enactive Modes of Actor Training and PerformancePhilip Zarrili, University of Exeter, UKRamlila and SpaceRichard Schechner, Tisch School of the Arts, NYU, USAExploring the Andean Sensory Model: Knowledge, Memory and the Experience of PilgrimageZoila Mendoza, University of California, Davis, USASensation and TransmissionDavid Howes, Concordia University, CanadaAfterwordSarah Pink, Loughborough University, UKBibliographyIndex
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