Crime in the art and antiquities world : illegal trafficking in cultural property
著者
書誌事項
Crime in the art and antiquities world : illegal trafficking in cultural property
Springer, c2011
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"ISPAC"--Cover
Papers from a conference held in Courmayeur, Italy, in December 2008, co-sponsored by ISPAC, the Courmayeur Foundation, and the United Nations Office on Drugs and Crime
Includes bibliographical references and index
内容説明・目次
内容説明
The theft, trafficking, and falsification of cultural property and cultural heritage objects are crimes of a particularly complex nature, which often have international ramifications and significant economic consequences. Organized criminal groups of various types and origins are involved in these illegal acts.
The book Crime in the Art and Antiquities World has contributions both from researchers specializing in the illegal trafficking of art, and representatives of international institutions involved with prevention and detection of cultural property-related crimes, such as Interpol and UNESCO.
This work is a unique and useful reference for scholars and private and public bodies alike.
This innovative volume also includes an Appendix of the existing legal texts, i.e. international treaties, conventions, and resolutions, which have not previously been available in a single volume.
As anyone who has undertaken research or study relating to the protection of cultural heritage discovers one of the frustrations encountered is the absence of ready access to the multi- various international instruments which exist in the field. Since the end of the Second World War these instruments have proliferated, first in response to increasing recognition of the need for concerted multinational action to give better protection to cultural property during armed conflict as well as ensuring the repatriation of cultural property looted during such conflict. Thus the international community agreed in 1954 upon a Convention for the Protection of Cultural Property in the Event of Armed Conflict.
That Convention, typically referred to as the Hague Convention of 1954, is now to be found reproduced in the Appendix to this book (Appendix I) together with 25 other important and diverse documents that we believe represent a core of the essential international sources of reference in this subject area. In presenting these documents in one place we hope that readers will now experience less frustration while having the benefit of supplementing their understanding and interpretation of the various instruments by referring to individual chapters in the book dealing with a particular issue or topic. For example, Chapter 9 by Mathew Bogdanos provides some specific and at times rather depressing descriptions of the application in the field of the Hague Convention 1954, and its Protocols (Appendices II and III), to the armed conflict in Iraq. Reference may also be had to the resolution of the UN Security Council in May 2003 (Appendix VI) urging Member States to take appropriate steps to facilitate the safe return of looted Iraqi cultural property taken from the Iraq National Museum, the National Library and other locations in Iraq. Despite such pleas the international antiquities market seems to have continued to trade such looted property in a largely unfettered manner, as demonstrated by Neil Brodie in Chapter 7.
Fittingly, as referred to in the Preface to this book, the last document contained in the Appendix (Appendix 26) is the "Charter of Courmayeur", formulated at a ground breaking international workshop on the protection of cultural property conducted by the International Scientific and Professional Advisory Council (ISPAC) to the United Nations Crime Prevention and Criminal Justice Program in Courmayeur, Italy, in June 1992. The Charter makes mention of many of the instruments contained in the Appendix while also foreshadowing many of the developments which have taken place in the ensuing two decades designed to combat illicit trafficking in cultural property through international collaboration and action in the arena of crime prevention and criminal justice.
目次
Foreword
Stefano Manacorda
Professor of Criminal Law, University of Paris, Paris, France
1) Introduction
Duncan Chappell
Professorial Fellow, Center for Transnational Crime Prevention, University of Wollongong, Wollongong, Australia
2) The trafficking problem: a criminological perspective
Edgar A.J.G. Tijhuis
Institute for the Study of Crime and Law Enforcement/ NSCR, Amsterdam, The Netherlands
3) Identifying and preventing opportunities for organized crime in the international antiquities market
Simon Mackenzie
Scottish Centre for Crime and Justice Research, University of Glasgow, Glasgow, UK
4) Case Study: The market in Iraqi antiquities 1980-2008
Neil Brodie
Director, Cultural Heritage Resource, Archaeology Center, Stanford University, Stanford, CA, USA
5) Case Study: Perspectives on the organization and control of the illicit traffic in antiquities in South East Asia
Kenneth Polk
Professor of Criminology, University of Melbourne, Melbourne, Australia
6) United Nations instruments in fighting organized crime and protection of Art and Antiquities
Loide Lungameni
Legal Officer, Organized Crime and Criminal Justice Section, United Nations Office on Drugs and Crime/UNODC, Nairobi, Kenya
7) Finding and returning cultural property after theft: UNESCO's efforts against illegal trade in cultural property
Marie-Paule Roudil
Head of Section, Culture, United Nations Education Science and Cultural Organization/UNESCO, Venice, Italy
8) The role of Interpol in the fight against the illicit trafficking in cultural property
Karl-Heinz Kind
Team Leader, Works of Art Unit, Interpol General Secretariat, Lyon, France
Appendix of Legal Texts
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