Screening transcendence : film under Austrofascism and the Hollywood hope, 1933-1938

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Screening transcendence : film under Austrofascism and the Hollywood hope, 1933-1938

Robert Dassanowsky

Indiana University Press, c2018

  • : hardback

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注記

Filmography: p. 389-399

Includes bibliographical references (p. 401-413) and index

内容説明・目次

内容説明

During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In Screening Transcendence, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933-1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed emigre and Jewish talent that appealed to international audiences. Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences. Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.

目次

Acknowledgements Foreword Part I: Structures 1. System of Faith and Aesthetics of Loss: Austrian Cultural Politics in the First Republic and the Christian Corporate State 2. Scopic Regimes: Notes on Newsreel and Culture Film Production, the Legacy of Baroque and Fin de Siecle Vienna, and Political Catholicism in Public Spectacle 3. Against Nazism and with Catholicism? Two Film Industries and the Jewish Filmmaker's Conundrum Part II: Genres and Types 4. Cinema Baroque: Reconsidering the Willi Forst/Walter Reisch Viennese Film Genre and its Trans/National/ist Value 5. Projecting Transcendence: Emigrantenfilm, the Church, and the Construction of a Catholic-Political Identity in Singende Jugend and Der Pfarrer von Kirchfeld 6. Gendering the Crusade: Female Types and Sexuality in Feature Film 7. Tales of the Patriarchy: Of Cavaliers, Cads, and the Common Man 8. Reasonable Fantasies: Cine-Operetta, the Sangerfilm, and Sociocritical Music Film 9. New Order Out of Chaos: The Austrian Screwball and Hybrid Comedy 10. Contemporary Conflicts: Experimentalism, Controversy, and the Question of National Film Style 11. Snow Blinded: The Alps versus Vienna in Film at the End of the Regime Part III: Locations 12. From Rome to the Hollywood Hope: Shared Aesthetics, the 1936/37 Vienna-Hollywood Co-Production Plan, and Cine-Economic Brinkmanship with Berlin Epilogue Filmography: List of Austrian Feature Films 1933-1938 Bibliography Index

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