Transcendental style in film : Ozu, Bresson, Dreyer

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書誌事項

Transcendental style in film : Ozu, Bresson, Dreyer

Paul Schrader

University of California Press, c2018

  • : pbk.

タイトル別名

With a new introductrion : rethinking transcendental style

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注記

Includes bibliographical references (pages 197-205) and index

内容説明・目次

内容説明

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors-Yasujiro Ozu, Robert Bresson, and Carl Dreyer-and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader's theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Bela Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

目次

Acknowledgments Rethinking Transcendental Style Introduction to the Original Edition Ozu Bresson Dreyer Conclusion Notes Selected Bibliography Index

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