A companion to the works of Hermann Broch

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A companion to the works of Hermann Broch

edited by Graham Bartram, Sarah McGaughey, and Galin Tihanov

(Studies in German literature, linguistics, and culture / edited by James Hardin)

Camden House, 2019

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注記

Bibliography: p. [237]-259

Includes index

内容説明・目次

内容説明

Covers the major modernist literary works of Broch and constitutes the first comprehensive introduction in English to his political, cultural, aesthetic, and philosophical writings. Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, GiselaBrude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lutzeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.

目次

Introduction: Broch's Life and Works - Graham Bartram and Sarah McGaughey Perspectives on Broch's Die Schlafwandler: Narratives of History and the Self - Kathleen L. Komar Hermann Broch and the Dilemma of Literature in the Modern Age - Gunther Martens Interrogating Modernity: Hermann Broch's Postromanticism - Galin Tihanov Broch and the Theater: Die Entsuhnung and Aus der Luft gegriffen as Tragic and Comic Dramatizations of the Economic Machine - Brechtje Beuker Limits of the Scientific: Broch's Die Unbekannte Groesse - Gwyneth Cliver Broch's Die Verzauberung: Ludwig Klages and the Bourgeois Mitlaufer - Gisela Brude-Firnau Hermann Broch's Massenwahnprojekt and Its Relevance for Our Times - Judith Ryan Human Rights and the Intellectual's Ethical Duty: Broch's Political Writings - Sebastian Wogenstein Broch's Der Tod des Vergil: Art and Power, Language and the Ineffable - Jennifer Jenkins From the "Tierkreis-Erzahlungen" to Die Schuldlosen: The Creation of Broch's Last Novel - Judith Sidler Broch's Legacy and Resonance - Paul Michael Lutzeler Selected Bibliography - Sarah McGaughey Notes on the Contributors Index

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