The race of sound : listening, timbre, and vocality in African American music
著者
書誌事項
The race of sound : listening, timbre, and vocality in African American music
（Refiguring American music）
Duke University Press, 2019
- : pbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre-the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
目次
Acknowledgments xi
Introduction. The Acousmatic Question: Who Is This? 1
1. Formal and Informal Pedagogies: Believing in Race, Teaching Race, Hearing Race 39
2. Phantom Genealogy: Sonic Blackness and the American Operatic Timbre 61
3. Familiarity as Strangeness: Jimmy Scott and the Question of Black Timbral Masculinity 91
4. Race as Zeros and Ones: Vocaloid Refused, Reimagined, and Repurposed 115
5. Bifurcated Listening: The Inimitable, Imitated Billie Holiday 151
6. Widening Rings of Being: The Singer as Stylist and Technician 177
Appendix 201
Notes 205
Bibliography 243
Index 259
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