Theory for ethnomusicology : histories, conversations, insights
著者
書誌事項
Theory for ethnomusicology : histories, conversations, insights
Routledge, 2019
2nd ed
- : hbk
- : pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First edition published by Pearson Education, Inc. 2008"--T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.
A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research.
New to this edition:
Every chapter in the book is completely new, with richer and more comprehensive discussions.
New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation.
New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
目次
Introduction (Harris M. Berger and Ruth M. Stone) / Chapter 1 Linguistic and Semiotic Approaches to Ethnomusicology: From Abstract Structure to Situated Practice (Jayson Beaster-Jones) / Chapter 2 Marxist Approaches to Music, Political Economy, and the Culture Industries: Ethnomusicological Perspectives (Peter Manuel) / Chapter 3 Theories of Gender and Sexuality: From the Village to the Anthropocene (Jane C. Sugarman) / Chapter 4 Constructing Race and Engaging Power Through Music: Ethnomusicology and Critical Approaches to Race (Maureen Mahon) / Chapter 5 Theories of the Post-Colonial and Globalization: Ethnomusicologists Grapple with Power, History, Media, and Mobility (Jeremy Wallach and Esther Clinton) / Chapter 6 Performance Studies and Critical Improvisation Studies in Ethnomusicology: Understanding Music and Culture through Situated Practice (Ellen Waterman) / Chapter 7 Decentering Music: Sound Studies and Voice Studies in Ethnomusicology (Katherine Meizel and J. Martin Daughtry) / Chapter 8 Phenomenology and Phenomenological Ethnomusicology: Approaches to the Lived Experience of Music (Harris M. Berger) / Chapter 9 Theories of Participation (Matthew Rahaim)
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