Bangkok is rising : sound, protest, and constraint
著者
書誌事項
Bangkok is rising : sound, protest, and constraint
Oxford University Press, c2019
- : pbk
- : cloth
- タイトル別名
-
Bangkok is rising : sound, protest, & constraint
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [191]-201
Includes index
内容説明・目次
内容説明
Bangkok Is Ringing is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Bringing the reader through sixteen distinct "sonic niches" where dissidents used media to broadcast to both local and diffuse audiences, the book mus18ethes these mass protests in a way that few movements have ever been catalogued. The Red Shirt and Yellow Shirt protests that shook Thailand took place just before other international
political movements, including the Arab Spring and Occupy Wall Street. Bangkok Is Ringing analyzes the Thai protests in comparison with these, seeking to understand the logic not only of political change in Thailand, but across the globe.
The book is attuned to sound in a great variety of forms. Author Benjamin Tausig traces the history and use in protest of specific media forms, including community radio, megaphones, CDs, and live concerts. The research took place over the course of sixteen months, and the author worked closely with musicians, concert promoters, activists, and rank-and-file protesters. The result is a detailed and sensitive ethnography that argues for an understanding of sound and political movements in tandem.
In particular, it emphasizes the necessity of thinking through constraint as a fundamental condition of both political movements and the sound that these movements produce. In order to produce political transformations, Bangkok Is Ringing argues, dissidents must be sensitive to the ways that their
sounding is constrained and channeled.
目次
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
INTRODUCTION: On Sound, Protest Space, and Constraint
Chapter 1 Completely Packed In
Chapter 2 Red Sunday: Power and Connections
Chapter 3 Atrocity Broadcasts
Chapter 4 Wireless Road and the Ground of Modernity
Chapter 5 Megaphone Singing
Chapter 6 The Megaphonic Somsak Sangkaparicha Comes by His Goddamn Self
Chapter 7 A Quiet Mourning: The Poetry of Dynamics
Chapter 8 Whistles
Chapter 9 Vehicular Stereo Systems
Chapter 10 Developing Musical Economies I: CD Vendors
Chapter 11 Developing Musical Economies II: Stage Musicians
Chapter 12 Spontaneous Chants
Chapter 13 Developing Musical Economies III: Mr. Bear
Chapter 14 Surveillance
Chapter 15 Outer Space
Chapter 16 The Vanishing Point
Conclusion: On Mediated Spatiality
Bibliography
LIST OF INTERVIEWS
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