Sounds of crossing : music, migration, and the aural poetics of Huapango Arribeño
著者
書誌事項
Sounds of crossing : music, migration, and the aural poetics of Huapango Arribeño
(Refiguring American music)
Duke University Press, 2017
- : hardcover
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [387]-409) and index
内容説明・目次
内容説明
In Sounds of Crossing Alex E. Chavez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeno, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself-from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas-Chavez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chavez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeno's performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chavez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
目次
Acknowledgments xi
Introduction: American Border/Lands 1
1. Aurality and the Long American Century 34
2. Companions of the Calling 62
3. Verses and Flows at the Dawn of Neoliberal Mexico 130
4. Regional Sounds: Mexican Texas and the Semiotics of Citizenship 198
5. From Potosi to Tennessee: Clandestine Desires and the Poetic Border 232
6. Huapango sin Fronteras: Mapping What Matters and Other Paths 278
Conclusion: They Dreamed of Bridges 316
Epilogue: "Born in the U.S.A." 327
Appendix A: Musical Transcriptions 331
Appendix B: Improvised Saludados 349
Notes 361
References 387
Index 411
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