Bibliographic Information

Whither Quo vadis?

Ruth Scodel and Anja Bettenworth

Wiley-Blackwell, 2009

Other Title

Whither Quo vadis? : Sienkiewicz's novel in film and television

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Jacket title: Whither Quo vadis? : Sienkiewicz's novel in film and television

Includes bibliographical references and indexes

Contents: http://catdir.loc.gov/catdir/toc/ecip0812/2008010445.html

Description and Table of Contents

Description

Whither Quo Vadis? offers an engaging account of how the Roman world and its history are represented in film and the way in which the different adaptations reflect the shifting historical situations and ideological concerns of their own times. Explores five surviving film adaptations - Guazzoni's of 1912; D'Annunzio/Jacoby of 1925; Mervyn LeRoy's of 1951; the Italian TV mini-series of 1985 by Franco Rossi; and Kawalerowicz's 2001 Polish version Examines how these different versions interpret, select from, and modify the novel and the ancient sources on which it is based Offers an exceptionally clear view of how films have presented ancient Rome and how modern conditions determine its reception Looks at rare and archival material which has not previously received close scholarly attention

Table of Contents

List of Illustrations ix Acknowledgments x 1 Novel and Film 1 2 Adapting the Narrative 16 Sienkiewicz's Novel: Adapting the Story 16 Focalizers, Judgments, and Petronius 22 Petronius as Focal Character 28 Seeing and Mapping Rome 42 3 Gender and Ethnicity 55 Marcus and Lygia 55 Petronius and Eunice 57 Pomponia 61 Gender Roles in Public and Private Life 63 Ethnicity and Gender Roles in the 1985 Version 70 Adaptations in the 2001 Version 80 4 Political Institutions, Political Subtexts 88 Political Implications of the Silent Versions 91 Fascists and Communists: The 1951 and 2001 Films 94 The Complex Allusions of the 1985 Miniseries 97 Foreign Policy in the Films 116 The Military in the 1951 Version 118 The Arrival of Galba 124 5 The Roman People 139 6 Religion and Religious Authority in Quo Vadis? 173 Paganism 173 Judaism 178 Christianity: Ritual, Theology, and Confl ict in Sienkiewicz's Novel 185 Transmitting a Tradition: Sermons in Novel and Film 188 The Representation of the Scriptures 190 Radicals: Crispus 194 Mainstream Christianity: Peter and Paul 200 Conclusion 211 7 Conclusions 219 8 Exkursus: Chilo's Mother 223 A Peculiarity of the German Translations of Quo Vadis? 223 Description of the Films 227 Synopsis of the Novel and the Film Versions of Quo Vadis 230 References 266 Index of Ancient Sources 275 Index of Personal Names 279 Index of Things and Places 285

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