The music profession in Britain, 1780-1920 : new perspectives on status and identity
著者
書誌事項
The music profession in Britain, 1780-1920 : new perspectives on status and identity
(Music in 19th-century Britain)
Routledge, 2018
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [220]-222) and index
内容説明・目次
内容説明
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
目次
Introduction Rosemary Golding
1. The Finances, Estates, and Social Status of Musicians in the Late Eighteenth Century Rebecca Gribble
2. Composers and Publishers in Clementi's London David Rowland
3. Professionalization and the Female Musician in Early Victorian Britain: the Campaign for Eliza Salmon David Kennerley
4. The British Army and the Music Profession: the Impact of Regimental Bands on the Status and Identity of Professional Musicians Helen Barlow
5. Church Musicians in Nineteenth-Century Durham Martin V. Clarke
6. The Rise of the Professional Music Critic in Nineteenth-Century England Paul Watt
7. Music Teaching in the Late-Nineteenth Century: a Professional Occupation? Rosemary Golding
8. Women Musicians and Professionalism in the Late-Nineteenth and Early-Twentieth Centuries Sophie Fuller
9. Musicians, Singers and Other Artistes as Workers in the British Music Hall 1900-1918 John Mullen
10. Building a Concert Career in Edwardian London Simon McVeigh
「Nielsen BookData」 より