Scribbling through history : graffiti, places and people from antiquity to modernity
著者
書誌事項
Scribbling through history : graffiti, places and people from antiquity to modernity
Bloomsbury Academic, 2019
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published in Great Britain 2018. Reprinted 2018. Paperback edition published 2019"--T.p. verso
Other editors: Ömür Harmanşah, Chiara Salvador and Elizabeth Frood
Bibliography: p. [207]-236
Includes index
内容説明・目次
内容説明
For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks.
This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.
目次
Preface (C. Ragazzoli, Université de Paris-Sorbonne, France)
Introduction (C. Ragazzoli, O. Harmansah, C. Salvador)
Part 1: Graffiti and the Landscape (with an introduction by O. Harmansah)
Chapter 1: The Scribes’ Cave: Graffiti and the Production of Social Space in Ancient Egypt circa
1500 BC
(C. Ragazzoli, Université de Paris-Sorbonne, France)
Chapter 2: Christian Graffiti in Egypt: Case Studies on the Theban Mountain
(A. Delattre, Université libre de Bruxelles (ULB), École pratique des hautes études (EPHE), Belgium)
Chapter 3: Graffiti or Monument? Inscription of Place at Anatolian Rock Reliefs
(Ö. Harmansah, University of Illinois at Chicago, USA)
Chapter 4: Tweets from Antiquity: Literacy, Graffiti, and Their Uses in the Towns and Deserts of Ancient Arabia
(M. Macdonald, University of Oxford, UK)
Chapter 5: Gezi Graffiti: Shout-Outs to Resistance and Rebellion in Contemporary Turkey
(C. Gruber, University of Michigan, Ann Arbor)
Part 2: Graffiti and the Wall (with an introduction by C. Salvador)
Chapter 6: Gladiators, Greetings, and Poetry: Graffiti in First Century Pompeii
(R. Benefiel, Washington and Lee University, USA)
Chapter 7: A New Look at Maya Graffiti from Tikal
(E. Olton, Institute of American Indian Arts, Santa Fe, New Mexico, USA)
Chapter 8: Visitors' Inscriptions in the Memphite Pyramid Complexes in Ancient Egypt (c. 1543-1292 BC)
(H. Navratilova, Metropolitan Museum of Art, Egyptian Expedition)
Chapter 9: Carving Lines and Shaping Monuments: Mortuary Graffiti and Jews in the Ancient Mediterranean
(K. Stern, Brooklyn College, USA)
Part 3: Graffiti and the Written Page (with an introduction by C. Ragazzoli)
Chapter 10: Verses on Walls in Medieval China
(G. Dudbridge, University of Oxford, UK)
Chapter 11: Graffiti and the Medieval Margin
(J. Rogers, Mount Allison University, Canada)
Chapter 12: Graffiti under Control: Annotation Practices in Social Book Platforms
(M. Jahjah, Université de Paris-Sorbonne, France)
Bibliography
Index
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