Music in the role-playing game : heroes & harmonies
Author(s)
Bibliographic Information
Music in the role-playing game : heroes & harmonies
(Routledge music and screen media series)
Routledge, 2020
- : pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes indexes
Description and Table of Contents
Description
Music in the Role-Playing Game: Heroes & Harmonies offers the first scholarly approach focusing on music in the broad class of video games known as role-playing games, or RPGs. Known for their narrative sophistication and long playtimes, RPGs have long been celebrated by players for the quality of their cinematic musical scores, which have taken on a life of their own, drawing large audiences to live orchestral performances.
The chapters in this volume address the role of music in popular RPGs such as Final Fantasy and World of Warcraft, delving into how music interacts with the gaming environment to shape players' perceptions and engagement. The contributors apply a range of methodologies to the study of music in this genre, exploring topics such as genre conventions around music, differences between music in Japanese and Western role-playing games, cultural representation, nostalgia, and how music can shape deeply personal game experiences.
Music in the Role-Playing Game expands the growing field of studies of music in video games, detailing the considerable role that music plays in this modern storytelling medium, and breaking new ground in considering the role of genre. Combining deep analysis with accessible personal accounts of authors' experiences as players, it will be of interest to students and scholars of music, gaming, and media studies.
Table of Contents
List of Figures, Tables, and Musical Examples. Series Foreword.
Prologue: The Journey Begins.
Part I: Magical Melodies 1. Song and the Transition to "Part-Talkie" Japanese Role-Playing Games. 2. "The Things I Do for Lust ...": Humor and Subversion in The Bard's Tale. 3. Mother/EarthBound Zero and the Power of the Naive Aesthetic: No Crying Until the Ending.
Part II: Mystical Metaphors 4. Alien Waves: Sonic Reverberations of the RPG Interface in Lagrange Point. 5. The Penultimate Fantasy: Nobuo Uematsu's Score for Cleopatra no Ma Takara. 6. Music in the Time of Video Games: Spelunking Final Fantasy IV. 7. Operatic Conventions and Expectations in Final Fantasy VI.
Part III: Meaningful Memories 8. Ludomusical Dissonance in Diablo III. 9. A Hidden Harmony: Music Theory Pedagogy and Role-Playing Games. 10. Soundwalking and the Aurality of Stardew Valley: An Ethnography of Listening to and Interacting with Environmental Game Audio. 11. Musical Landscapes in Skyrim. 12. Barriers to Listening in World of Warcraft.Notes on Contributors. Index of Video Games. General Index.
by "Nielsen BookData"