Art and archaeology of the Erligang civilization
著者
書誌事項
Art and archaeology of the Erligang civilization
P.Y. and Kinmay W. Tang Center for East Asian Art, Dept. of Art and Archaeology, Princeton University in association with Princeton University Press, c2014
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 213-225) and index
内容説明・目次
内容説明
Named after an archaeological site discovered in 1951 in Zhengzhou, China, the Erligang civilization arose in the Yellow River valley around the middle of the second millennium BCE. Shortly thereafter, its distinctive elite material culture spread to a large part of China's Central Plain, in the south reaching as far as the banks of the Yangzi River. The Erligang culture is best known for the remains of an immense walled city at Zhengzhou, a smaller site at Panlongcheng in Hubei, and a large-scale bronze industry of remarkable artistic and technological sophistication. This richly illustrated book is the first in a western language devoted to the Erligang culture. It brings together scholars from a variety of disciplines, including art history and archaeology, to explore what is known about the culture and its spectacular bronze industry. The opening chapters introduce the history of the discovery of the culture and its most important archaeological sites.
Subsequent essays address a variety of important methodological issues related to the study of Erligang, including how to define the culture, the usefulness of cross-cultural comparative study, and the difficulty of reconciling traditional Chinese historiography with archaeological discoveries. The book closes by examining the role the Erligang civilization played in the emergence of the first bronze-using societies in south China and the importance of bronze studies in the training of Chinese art historians. The contributors are Robert Bagley, John Baines, Maggie Bickford, Rod Campbell, Li Yung-ti, Robin McNeal, Kyle Steinke, Wang Haicheng, and Zhang Changping.
目次
Contributors 7 Foreword and Acknowledgments 9 Preface 11 INTRODUCTION 1. Erligang Bronzes and the Discovery of the Erligang Culture 19 Robert Bagley 2. Erligang: A Perspective from Panlongcheng Zhang Changping 51 DEFINING THE ERLIGANG CIVILIZATION 3. China's First Empire? Interpreting the Material Record of the Erligang Expansion 67 Wang Haicheng 4. Civilizations and Empires: A Perspective on Erligang from Early Egypt 99 John Baines 5. Erligang: A Tale of Two "Civilizations" 121 Roderick Campbell 6. The Politics of Maps, Pottery, and Archaeology: Hidden Assumptions in Chinese Bronze Age Archaeology 137 Yung-ti Li ERLIGANG AND THE SOUTH 7. Erligang and the Southern Bronze Industries 151 Kyle Steinke 8. Erligang Contacts South of the Yangzi River: The Expansion of Interaction Networks in Early Bronze Age Hunan 173 Robin McNeal PARTING THOUGHTS 9. Bronzes and the History of Chinese Art 191 Maggie Bickford References 213 Index 226 Image Credits 235
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