Music of the Soviet era: 1917-1991
著者
書誌事項
Music of the Soviet era: 1917-1991
Routledge, 2019
2nd ed
- : pbk
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注記
"First published in 1998 by Melos Music Literature", "first published in paperback in 2019 by Routledge"--T.p. verso
Chronological table: p. [347]-436
Bibliography: p. [437]-462
Includes index
内容説明・目次
内容説明
This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, 'modernist' and 'conservative', 'nationalist' and 'cosmopolitan' composers of the Soviet era. The book's three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called 'Bronze Age' of Soviet music after Stalin's death. Music of the Soviet Era: 1917-1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian's work celebrates the human spirit's wonderful capacity to derive advantage even from the most inauspicious conditions.
目次
- PART I. REMAINDERS OF THE SILVER AGE AND THE STURM UND DRANG OF SOVIET MODERNISM I.1. The Distribution of Forces on the Musical Scene During the Early Post-Revolutionary Period I.2. The Rise of Shostakovich PART II. MUSIC UNDER STALIN II.1. The Beginnings of the 'Big Soviet Style'. Shostakovich's Lady Macbeth of Mtzensk District and the First Offensives on 'Formalism' II.2. The Second Half of the Thirties
- the Period of 'Maturity' of Soviet Music II.3. The War and Early Post-War Years II.4. The Year 1948 and After PART III. THE YEAR 1953 AND AFTER: THE 'BRONZE AGE' III.1. Introduction: the Progress of Events III.2. Shostakovich in 1953-75 III.3. Shostakovich's Disciples III.4. The Avant-Garde of Moscow: the 'Great Three' and Other Major Figures III.5. Innovative Tendencies Outside Russia III.6. Some 'Independents' and 'Middle-Roads'
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